A convert to the Kindle eReader

I’m a convert to the Kindle eReader.

But I’m not a convert from ink and paper.

No, the switcheroo is from the iPad, much touted by Apple as giving the ultimate ereading experience. For about a year, nearly all my personal book consumption had been on the iPad, either in Apple’s own iBooks app or the free Kindle app which can be added to the iPad.

My Kindle Touch. This is Amazon's top of the line e-ink Kindle. There is a starter model (with the same screen) called the Kindle 4, and the seven inch Kindle Fire which has an LCD screen.

But since last November, I haven’t read a single book on the iPad. I’m in no hurry to read any more, for two main reasons: one, the Kindle’s reflective ‘e-ink’ screen is easier on my eyes, and two, it’s summer and I like to read in our bright back porch where reflections on the iPad’s glossy glass screen make reading very difficult.

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Filed under Tablets, iPad, ebooks, Kindle, Sony ereader, Kobo, iBooks, Nook

When the leek crop fails

Liz can fit them all in one slim vase:

I can photograph them.

Then I can have my way with them.

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From wax cylinders to streaming music

I have a nice Ngaio Press publishing project at the moment – a history of Charles Begg & Co, a company which bestrode New Zealand’s musical scene for over 100 years from the 1860s. The manuscript was written by the original Charles Begg’s great great granddaughter Clare Gleeson (née Begg) and is adapted from her history masters thesis at Otago University.

It is an assignment after my own heart, given my own musical background and the fact that I’ve written a book of my own about New Zealand musical history, Piano in the Parlour.

This afternoon I’ve been preparing illustrations for the book, and as I worked on a photo showing Begg’s Dunedin phonograph department in 1911, it occurred to me that there was some heavy irony going down. While peering at what was almost the dawn of recorded music (wax cylinders and boxes with blowsy flower horns), I was listening to music on my computer that was streaming through the Internet from the Grooveshark website.

The phonograph department at Charles Begg & Co, Dunedin, in 1911. The sign above the counter reads "Caruso is singing here today." (Click to enlarge)

Back in 1911, I might have owned, after much scrimping and saving, just a few horrid sounding (but still thrilling) cylinders or disks. Today I have an endless supply of Internet music, through streaming radio services, online music stores such as iTunes and Google Music, music clips on YouTube and, (nudge, wink) … I’m told you can download ‘free’ music via filesharing services. I can choose from thousands of CDs in shops and the public library. I can ‘rip’ them on my computer and store the albums on my phone and MP3 player. Then I can listen to them anywhere I like.

There is absolutely no shortage of music today at nil or negligible cost – particularly as I no longer care about keeping up with current hits. Short of an apocalypse, I won’t run out of recorded music.

But though I still love them, I don’t treasure recordings as I did when I only owned half a dozen LPs and a few singles and played them on a crappy old portable record player. My grandmother may have treasured her cylinders from Charles Begg & Co even more.

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Two pro level graphics apps for the iPad

The iPad is becoming useful for professional graphics work. Originally it was no great shakes because the iPad tended to work with low resolution images (1024×768) and adjustments you made to photos naturally also emerged at low resolution. Now we’re seeing image manipulation apps that work on high res images and export them at high quality print standard.

One of these apps, called SketchMee, uses filters to turn photos into sketches, with controls that let you try many variations. It works better on some photos than others and when it doesn’t work it can look cheesily amateur. But it can be a lifesaver. Below is a book cover I designed earlier this year. The original photo was in poor, nondescript condition, but it perked up considerably with the SketchMee treatment. The book’s author was delighted with it. (Click on the image to enlarge it and get a better idea of the effect.)

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Filed under Photography, publishing

Snap hailstorm

It was  dramatic – the huge inky black cloud coming up Wellington Harbour as I drove back to my office. Then suddenly the cloud was upon us, accompanied by thunder, lightning and the heaviest hail I’ve seen here for many years. I took these photos with my cellphone after I got the car safely into the carpark. The hail continued  after I took these photos and became thicker on the ground.

Intersection of Featherston and Brandon Streets, Wellington. We're hoping the hail didn't also fall in Martinborough, across the Rimutakas. For the sake of both our garden and the local vineyards.

Another view of the Featherston/Brandon Streets intersection. At top right is the former Wool House where I used to work, now renamed Deloittes House.

This was an interesting lunchtime diversion and it provided plenty of pictures for national TV news. But let’s put it in perspective: it was absolutely nothing compared with the 1947 and 1999 hailstorms in Sydney. In 1947, hailstones 8cm (3.1 inches) in diameter lashed beaches on New Year’s Day. Because of the holiday, beaches were crowded and as most people had arrived by public transport, they couldn’t shelter in their cars. There was only limited shelter at the beaches themselves, which ran with blood. Many people were taken to hospital. The 1999 hailstorm caused less personal injury but overall damage was worse: the A$1.7 billion in insured damage set a new record as Australia’s costliest natural disaster.

Three-inch hailstones slamming into Sydney's Rose Bay on New Year's Day 1947. (Wikipedia)

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